L’ospedale è un corpo fatto di tantissime vite, storie di uomini in prima linea o rimasti sempre dietro le quinte. Nelle lastre di Fotoscopia risplende la fulminante bellezza dei metodi diagnostici, esposta per celebrare la propulsione esplorativa dell’Arcispedale Santa Maria Nuova di Reggio Emilia e i cinquant’anni della sua sede. Il luogo si manifesta in tutti i suoi aspetti, da creazione architettonica a struttura organizzata, da centro di ricerca a scenario di cambiamenti epocali. Nell’opera di Alessandra Calò trovano posto senza gerarchie le topografie d’archivio e gli schizzi esegetici dei dottori, gli screening mammografici e i pesci rossi della sala d’attesa. La ricerca dei materiali – condotta tra i reparti in decine di colloqui con medici, infermieri, tecnici e inservienti – ha seguito un approccio domestico, utile a rappresentare uno spazio dove la vita della comunità continua nei suoi ritmi quotidiani.
Catturate in prevalenza con l’ausilio dell’iphoneography ma ripodotte su vetro con antiche tecniche di stampa, le immagini fotoscopiche di Alessandra Calò non accettano di rappresentare la realtà nei limiti della distanza digitale. Piuttosto tornano indietro nel tempo fino a recuperare il conforto del tatto, l’affabilità di una tecnica sapiente come quella del medico che comprende al tocco. In questo progetto, l’ ospedale mostra le proprie viscere attraverso la fotografia.
Fifty years since its construction, Santa Maria Nuova Hospital has decided to undergo a photographic examination in order to bring to light some fragments of history. Alessandra Calò’ s photoscopic images, taken with the aid of iPhoneography and printed on glass using old-fashioned methods, are not mere representations of reality subject to the limitations of digital distance. Instead, they go back in time and recapture that soothing feeling of touch – the warmth of a skilful technique like that of a doctor who understands immediately on touching the patient.
The hospital is a body made up of innumerable lives, stories of men and women on the frontline or who have always worked behind the scenes. What emerges is a grandiose project born in the Fifties whose pillars mirror the harmony of the human skeleton. The glass plates tell of the growing ability to scrutinize the most unfathomably microscopic space. The stunning beauty of the diagnostic methods shines through the displays, celebrating the achievements of human ingenuity and the exploratory drive of Santa Maria Hospital. An italian hospital will be showing ‘its insides’ through photography. A piece of history is being preserved in ‘glass containers’ so that it may last in time and be available for viewing by the community.
Fotoscopia, 2016
©ConsArc Gallery (CH)
The artist book was born in the waiting rooms, in the Doctors’ offices, in the halls and in the basements of the Santa Maria Nuova hospital in Reggio Emilia. This work celebrates the mystery of life and the moving wish of protecting it. The research of the materials was conducted in the departments through interviews with doctors, nurses, technicians and janitors. In the images you can find with no order of importance archive topographies, exegetical sketches of doctors, mammographic screenings and the goldfishes of the waiting rooms. The graphical project simulates the appearence of archive binders and holds different pages regarding shape and material. The theme of medicine is shown through the whole book, full of curious inserts, stamps and handmade interventions by the authors. Even the assembly is completley handmade.
Fotoscopia, 2015
limited edition handmade book edition of 100 numbered & signed, 21×23 cm
bookdesign ©marcoappiotti
images ©alessandacalo
strories ©irenerusso